{"id":4216,"date":"2026-02-04T20:04:32","date_gmt":"2026-02-04T20:04:32","guid":{"rendered":"https:\/\/ineagresta.com\/?page_id=4216"},"modified":"2026-03-28T18:06:50","modified_gmt":"2026-03-28T18:06:50","slug":"la-madre-de-la-madre","status":"publish","type":"page","link":"https:\/\/ineagresta.com\/index.php\/la-madre-de-la-madre\/","title":{"rendered":"La madre de la madre"},"content":{"rendered":"\t\t
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La Madre De La Madre De La Madre De Mi Madre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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LA MADRE DE LA MADRE DE LA MADRE DE MI MADRE<\/strong>\u00a0is a series of three paintings conceived as a tribute to the women of my lineage. It is an offering to those who came before me, whose lives, bodies, and choices quietly shaped my own existence.<\/p>

The work reflects on the invisible threads that connect us across generations. Mothers carry the genetic memory of their daughters long before those daughters are born; sisters carry fragments of their elder sisters within themselves. Our bodies are archives of other bodies. Time does not erase these connections, it embeds them deeper.<\/p>

These paintings are not portraits of individuals, but of continuity. They speak of inheritance beyond names and faces: gestures repeated unconsciously, emotions passed down, resilience learned without being taught. What I am did not begin with me. It is the result of countless lives layered one upon another, held together by care, sacrifice, and love.<\/p>

Through this series, I reflect on femininity as a living continuum, one that transcends linear time. The women of my family are not behind me; they exist within me. We are connected forever, not only by blood, but by memory, presence, and the enduring act of becoming.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Ine_Agresta_LMDLMDLMDLMDMM#1_1_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#1_2_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#1_3_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#1_5_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#1_4_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#1_6_web\"<\/figure><\/div>
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La Madre De La Madre De La Madre De Mi Madre #1<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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40 x 40 cm<\/p>

Acrylic Paint On Unbleached Cotton Canvas.<\/p>

Original – Signed and dated with certificate<\/p>

of authenticity.<\/p>

2025, Denmark.<\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Ine_Agresta_LMDLMDLMDLMDMM#2_1_Web\"<\/figure><\/div>
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\"Ine_Agresta_LMDLMDLMDLMDMM#2_5_web\"<\/figure><\/div>
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La Madre De La Madre De La Madre De Mi Madre #2<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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40 x 40 cm<\/p>

Acrylic Paint On Unbleached Cotton Canvas.<\/p>

Original – Signed and dated with certificate<\/p>

of authenticity.<\/p>

2025, Denmark.<\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Ine_Agresta_LMDLMDLMDLMDMM#3_2_web\"<\/figure><\/div>
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\"Ine_Agresta_LMDLMDLMDLMDMM#3_8_web\"<\/figure><\/div>
\"Acrylic<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#3_6_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#3_5_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#3_4_web\"<\/figure><\/div>
\"Ine_Agresta_LMDLMDLMDLMDMM#3_3_web\"<\/figure><\/div>
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La Madre De La Madre De La Madre De Mi Madre #3<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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40 x 40 cm<\/p>

Acrylic Paint On Unbleached Cotton Canvas.<\/p>

Original – Signed and dated with certificate<\/p>

of authenticity.<\/p>

2025, Denmark.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSold Out<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

La Madre De La Madre De La Madre De Mi Madre LA MADRE DE LA MADRE DE LA MADRE DE MI MADRE\u00a0is a series of three paintings conceived as a tribute to the women of my lineage. It is an offering to those who came before me, whose lives, bodies, and choices quietly shaped my […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4216","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/pages\/4216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/comments?post=4216"}],"version-history":[{"count":46,"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/pages\/4216\/revisions"}],"predecessor-version":[{"id":4326,"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/pages\/4216\/revisions\/4326"}],"wp:attachment":[{"href":"https:\/\/ineagresta.com\/index.php\/wp-json\/wp\/v2\/media?parent=4216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}